Canvas Collective's layout, mode of address and general ideology are based around this long-valued media format. What we aim to do is translate the magazine for an online audience.
That project has been undertaken in all varieties of magazine media, from Rolling Stone to indie fashion mag Frankie. Our point of difference is to create a community-based hub, so that user-generated content, social media and collaboration play a significant role. Where the content is 'pushed' to our audience, that is, commissioned and produced by our own team of journalists, it will be tailored to the locations and tastes of our target audience - young, amateur artists and the art-interested.
Moreover, our layout plans are directly inspired by the 'classic' feature-based magazine cover style. A small amount of featured images and their related stories will constitute our landing page, rather than a blog-like index of long text. In that sense, we like to think of the landing page of Canvas Collective as a gallery wall.
Paintings at the Neue Pinakothek, Munich (Photo: Frank Kovalchek)
Having said this, a major priority is to avoid that sense of seeing art as a non-interactive subject. There is more to visual art, and to the users of our website, than viewing a work hanged on a wall. That's why Canvas Collective is less Google Art Project and more CanvasPaint.
When artists and art fans want to get involved in the conversation around art, or even take up a brush themselves, we aim to be their destination of choice.